Though, in the moments before Judge’s creation found its grave, this movie became a pop culture icon cementing a laundry list of beyond stupid catchphrases like “Come to Butt-head!” or “I am Cornholio” into our feeble teen minds. And while it cost about five million to make (pocket change nowadays), …Do America grossed over $60 million dollars for its domestic box office run, a feat attributed to timing as the height of Beavis and Butt-head‘s popularity only dwindled shortly thereafter. The animated film was probably the last thing anyone expected to receive praise by Siskel & Ebert, but lo and behold the critics gave many positive reviews. While Judge may be remembered now for his cult classic hit Office Space, or his longest running victory, King of the Hill, it’s the success of Beavis and Butt-head that allotted Judge these pop-culture marvels. By sheer coincidence, the pseudo-geniuses in music video critique became the basis for an entire series riddled with fart flames, head banging and rather cruel outlooks on ’80s bands, all glazed over with basic crude humor that hallmarked our nation’s “benevolent” youth. To clarify, Judge began with two animated shorts, the rambunctious duo that is Beavis and Butt-head and the lonely yet rattled Milton. Spawned from MTV’s prime-time cartoon sludge fest Liquid Television (of Aeon Flux and Milton fame), characters Beavis and Butt-head were pegged as controversial by many, though lauded as idiot savants by a whole generation… and more! Even Patrick Stewart liked them, and in the mid-90s the two Highland,TX morons amassed a large following and in turn a 1996 feature film, Beavis and Butt-head Do America. What is there to say about Mike Judge’s magnum opus, Beavis and Butt-head? Everything has been thrown at these two obnoxious yet addictive animated metal heads.
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